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By the seat of their pants

Snark

Credit: Contributed photo

CULTURAL EXPERIENCE: The Snark Ensemble of Washington, D.C. played the Library of Congress Packard Campus Theater on Mount Pony Saturday night, accompanying a trio of Max Sennett silent comedies. From left are, Andrew Simpson, Phil Carluzzo, Ben Redwine, Maurice Saylor, and Dale Barton.


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Culpeper experienced a rare cultural treat Saturday night courtesy The Snark Ensemble, a five-piece group of multitalented musicians who compose for and perform to silent films.

The Washington, D.C.-area ensemble made its debut appearance in the Library of Congress Packard Campus Theater on Mount Pony, enhancing a trio of side-splitting Mack Sennett comedies from the 1920s. The audience numbered about 100.

“It would have been 1930 the last time a live orchestra played to a silent movie in Culpeper,” said Rob Stone, curator of the moving images section on the Packard Campus, in his introduction.

Stone has researched local movie history, dating the first film screening in Culpeper to 1905, when A.G. Jennings presented a slideshow of his travels to Mexico in the old Rixey Opera House at the corner of Main and Davis.

Saturday night’s show on Mount Pony certainly took one back — between the silent movies and ageless music, it was like a page out of film history.

The most hilarious of the Sennett silents was “Saturday Afternoon” from 1926 starring noted silent film comedian Harry Langdon as the henpecked husband who takes a walk on the wild side.

Frank Capra, who later directed, “It’s a Wonderful Life,” earned an early writing credit for the 30-minute “Afternoon.”

“Just a crumb from the sponge cake of life” was how Langdon’s character is introduced, and he offered a delicious performance beautifully augmented by the sundry sounds of The Snark Ensemble.

“We play a lot of instruments,” said Simpson, conductor and pianist. “That’s part of the fun of this group.”

The Snark Ensemble formed in 2005 with Simpson, Maurice Saylor (woodwinds) and Phil Carluzzo (percussion and frets). Ben Redwine and Dale Barton are regular guest performers. All five musicians played Saturday in Culpeper, alternating their hands at flute, clarinet, saxophone, keyboard, drums and other percussion instruments. The musical impact was both madcap and refined, providing a delightful auditory layer to a fine selection of silent films.

In addition to performing music, members of The Snark Ensemble compose the music they play. The group has put out three DVDs, including the newly released “Becoming Charley Chase.”

Each of their live performances is not synchronized, Simpson noted, resulting in a slightly different result each time. “We play by the seat of our pants,” said Simpson.

Kudos is in order to the LOC for its technical expertise in preserving 1920s “Don’t Weaken,” Saturday’s first silent selection. Featuring silly scenes of surprisingly graceful dancing and raucous boxing activity, the 90-year-old short was saved “last minute,” said Stone, alerting the audience to a few moments of faded nitrate film stock in the selection.

“Movies don’t have to be pristine to be good,” he said.

The Snark Ensemble, by the way, takes its name from a mythical creature created by Lewis Carroll — the topic of his epic poem, “The Hunting of the Snark: an Agony in Eight Fits,” published 1876.

Stay tuned for more on next month’s silent selections on Mount Pony and the debut of the Packard Campus Theater’s mighty Wurlitzer organ.

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